{"title":"1950's","description":null,"products":[{"product_id":"art-blakey-amp-the-jazz-messengers-moanin-5681","title":"Art Blakey \u0026 The Jazz Messengers - \"Moanin'\" Blue Note Records","description":"\u003cp\u003e1958's Moanin' - featuring the great drummer w\/ trumpeter Lee Morgan, tenor saxophonist Benny Golson, pianist Bobby Timmons, \u0026amp; bassist Jymie Merritt - was the perfect crystallization of the band's bluesy, soulful sound, \u0026amp; it still stands today as perhaps the most quintessential hard bop recording of all-time. The album also introduced several indelible Golson compositions that would become standards of the jazz songbook including \"Along Came Betty\" \u0026amp; \"Blues March.\"\u003c\/p\u003e","brand":"Universal","offers":[{"title":"Default Title","offer_id":46105691554049,"sku":"602507465681","price":27.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/7466\/6497\/products\/f9a0ecb2f19991e050015922a7e099ed_c30ae2dc-6a31-4837-a250-7a24aaa7f58a.jpg?v=1662488479"},{"product_id":"art-blakeys-jazz-messengers-art-blakeys-jazz-messengers-with-thelonious-monk","title":"Art Blakey's Jazz Messengers - \"Art Blakey's Jazz Messengers With Thelonious Monk\"","description":"\u003cp\u003eArt Blakey's Jazz Messengers with Thelonious Monk is a studio album originally released in 1958 by Atlantic Records. It is a collaboration between the Jazz Messengers, the group led by drummer Art Blakey, and Thelonious Monk on piano. Throughout the preceding decade, on sessions for both Blue Note and Riverside, Blakey had supported Monk on various occasions. Monk returned the favor on this one-off session for Atlantic. Blakey was on the verge of beginning a long-term contract with Blue Note, while Monk was in the middle of his stay on Riverside. One month after these recordings, Monk would begin his summer and autumn residency at the Five Spot on Cooper Square after regaining his cabaret card, without which he had been barred from playing in most of New York City's clubs. Monk's quartet featuring John Coltrane at that residency would bring Monk fame beyond the inner circle of jazz aficionados. Atlantic released this album over a year after it was recorded, thereby capitalizing on Monk's increased visibility.\u003c\/p\u003e","brand":"Warner","offers":[{"title":"Default Title","offer_id":43208591376641,"sku":"603497842391","price":34.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/7466\/6497\/products\/1f81e51dbe7ad19e567f631d191d3454.jpg?v=1660848483"},{"product_id":"billie-holiday-with-ray-ellis-and-his-orchestra-lady-in-satin","title":"Billie Holiday With Ray Ellis And His Orchestra - \"Lady In Satin\"","description":"\u003cp\u003eLady in Satin is the penultimate album completed by the singer and last released in her lifetime. The original album was produced by Irving Townsend, and engineered by Fred Plaut. The song material for Lady in Satin derived from the usual sources for Holiday in her three decade career, that of the Great American Songbook of classic pop. Unlike the bulk of Holiday's recordings, rather than in the setting of a jazz combo Holiday returns to the backdrop of full orchestral arrangements as done during her Decca years, this time in the contemporary vein of Frank Sinatra or Ella Fitzgerald on her Songbooks series. The album consists of songs Holiday had never recorded before. The arrangements were by bandleader Ray Ellis, Holiday familiar with his Ellis in Wonderland album. Soloists on the album included Mel Davis, Urbie Green, and bebop trombone pioneer J.J. Johnson.\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":43208632893697,"sku":"888750752215","price":22.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/7466\/6497\/products\/eeb14d5b36c72e7b6c1d171eda0f2b8e.png?v=1661606541"},{"product_id":"milt-jackson-milt-jackson-amp-the-thelonious-monk-quintet","title":"Milt Jackson - \"Milt Jackson \u0026 The Thelonious Monk Quintet\"","description":"\u003cp\u003eVibraphonist Milt Jackson was a frequent presence on Blue Note sessions in the bebop era. As part of the fabled 1500 Series begun in 1956, the label issued the 12-inch compilation Milt Jackson and The Thelonious Monk Quintet which expanded Jackson's 10-inch LP Wizard of the Vibes with tracks from 1948 and 1951 dates led by Monk. The album cover was the first designed by Reid Miles. This Blue Note Classic Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.\u003c\/p\u003e","brand":"Universal","offers":[{"title":"Default Title","offer_id":43208681390337,"sku":"602445082278","price":27.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/7466\/6497\/products\/ea5a3b699f920d52c8873c15ecd40b98.jpg?v=1660851349"},{"product_id":"cannonball-adderly-somethin-else-mofi-one-step","title":"Cannonball Adderley - \"Somethin' Else\" MoFi One-Step","description":"\u003cp\u003eMastered from the original master tapes and limited to 10,000 numbered copies. \u003c\/p\u003e\n\n\u003cp\u003eJulian Cannonball Adderley's only Blue Note album, Somethin' Else, would likely forever be famous in music lore if just for the presence of Miles Davis. The iconic composer\/trumpeter steps into the role of sideman on the 1958 set, one of just a handful of times he'd make such a move after the calendar passed the mid-1950s. Yet evaluating Somethin' Else strictly on Davis' involvement misses the big picture. Plain and simple, Adderley's jubilant work remains a jazz landmark due to the chemistry of its Hall of Fame personnel, enthusiasm of its participants, and sophistication of its arrangements ‚Äì not to mention the reference-grade production and inclusion of the definitive renditions of two all-time jazz standards. \u003c\/p\u003e\n\n\u003cp\u003eStrictly limited to 10,000 numbered copies, pressed on dead-quiet MoFi SuperVinyl at RTI, and mastered from the original master tapes, Mobile Fidelity's ultra-hi-fi UltraDisc One-Step 180g 45RPM 2LP collector's edition pays tribute to the record's merit and enhances the intimate program for generations to come. Offering reference-caliber sonics, this spectacular collector's version provides a clear, transparent, ultra-dynamic, and up-close view of a cornerstone effort that witnesses Adderley and Davis sharing horn duty alone for the only time in their fabled careers ‚Äì an arrangement that occurred as a result of Adderley having joined Davis' majestic sextet a year prior. \u003c\/p\u003e\n\n\u003cp\u003eThe premium packaging and beautiful presentation of the UD1S Somethin' Else pressing befit its extremely select status. Housed in a deluxe box, it features special foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendor of the recording. No expense has been spared. Aurally and visually, this UD1S reissue exists as a curatorial artifact meant to be preserved, touched, and examined. It is made for discerning listeners that prize sound quality and production, and who desire to fully immerse themselves in the art ‚Äì and everything involved with the album, from the iconic photos to the gorgeous finishes. \u003c\/p\u003e\n\n\u003cp\u003eThe vibrant potency reveals itself openly on an analog set that provides full-range reproduction of an ensemble that also includes pianist Hank Jones, bassist Sam Jones, and drummer Art Blakey. Each and every snare hit, downbeat, and cymbal splash registered by the latter take on realistic proportions, blooming and decaying as they would right in front of you on a stage. Jones' foundational bass lines register with uncommon depth and palpability, the litheness of the strings and fullness of the instrument epitomizing the definition of rhythm. Stellar, too, are the surefooted 88s. Sublime in scale, tonality, and attack, with the delineation such you can practically separate the white and black keys in your mind. As for that liquid interplay between Adderley and Davis? Breathtakingly lifelike in timbre, naturalism, purity, and presence. This collector's version takes you there ‚Äì there being Rudy Van Gelder's legendary New Jersey studio in March 1958 to witness it all unfold, again and again. \n\u003cbr\u003eFor reasons that extend far beyond the outstanding playing and flawless repertoire, Somethin' Else is without question a record you'll always want to watch and hear come together. As veteran critic Bob Blumenthal observed writing about the album four decades after its release, ''The instant rapport achieved by the quintet is thus the product of much shared and common history, though the tensile strength that they create throughout created a totally unique feeling that can be attributed to the sensitive musicianship of all concerned, including the supposedly hard bopping leader and drummer.'' Such inimitable feeling, or emotion, courses throughout every passage, and no where more obviously than on ''Autumn Leaves'' and ''Love for Sale.'' \u003c\/p\u003e\n\n\u003cp\u003eWithout question, the discreet interpretations of the Johnny Mercer and Cole Porter songs, respectively, found on Somethin' Else have long been considered part of jazz's alluring mystique. Adderley and Davis bring contrasting approaches to the table yet sound of a singular mind on ''Autumn Leaves,'' with the latter's muted trumpet and the headliner's lush alto saxophone dovetailing into a performance that endures as a blueprint for expression, counterpoint, sophistication, fluidity, and linearity. Blues, melody, and romance pour from their horns. Their bandmates, picking up on the intimate vibe and calm mood here ‚Äì as well as on the spry, head-over-heels spirit of ''Love for Sale'' ‚Äì join in on the conversation with sharp economy and float-on-air roundedness. \u003c\/p\u003e\n\n\u003cp\u003eNot to undersell the other three numbers, all deserving five-star status. Twelve measures in length, the title track offers a slow burn in swing. Written by Adderley's brother, Nat, the 12-bar ''One for Daddy-O'' transmits funk flavors. The closing ''Dancing in the Dark'' pops with lushness and temptation, its stre Autumn Leaves Love for Sale Somethin' Else One for Daddy-O Dancing in the Dark\u003c\/p\u003e","brand":"Music Direct","offers":[{"title":"Default Title","offer_id":43208737980673,"sku":"821797202220","price":124.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/7466\/6497\/files\/CannonBallAdderleyOneStep-2220.png?v=1700856701"},{"product_id":"miles-davis-ascenseur-pour-lechafaud","title":"Miles Davis - \"Ascenseur Pour L'echafaud\"","description":"","brand":"One-Stop","offers":[{"title":"Default Title","offer_id":43208901755137,"sku":"8437016248003","price":19.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/7466\/6497\/products\/ba7b38d9aa7fee4705cb6e3d1c71ff23.jpg?v=1660858644"},{"product_id":"charles-mingus-mingus-ah-um","title":"Charles Mingus - \"Mingus Ah Um\"","description":"\u003cp\u003eCharles Mingus ‚Äé- Mingus Ah Um - On the cover: Mingus at the Th√©√¢tre des Champs Elys√©es, Paris, April 1964.  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The album oozes swing and helped reconnect jazz lovers with one of the finest bands of the swing era. Yet there is nothing retrospective in this album; it is alive with vitality, elegance, sophistication and modernity. Tip of the hat to Freddie Green, the man who established the rhythm guitar as an important instrument in jazz and most other genres of music. He rarely took a solo, but added so much to so many recordings during his fifty years with Basie's band. His sense of harmony and his ability to blend with his drummer created something unique and special.\u003c\/p\u003e","brand":"Universal","offers":[{"title":"Default Title","offer_id":43208962507009,"sku":"600753458938","price":29.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/7466\/6497\/products\/ccc564b4b0f94a4d34d527ddec915362.jpg?v=1660861320"},{"product_id":"various-artists-songs-from-cinderella","title":"Various Artists - \"Songs From Cinderella\"","description":"\u003cp\u003e\"Songs From Cinderella\" Various Artists - Don't let the clock strike before rediscovering the music from the Disney Classic Animated Film Cinderella. This collectible vinyl picture disc features beautiful art from the Disney animated classic as well as favorite songs \"A Dream Is A Wish Your Heart Makes,\" \"Bibbidi-Bobbidi-Boo\" and more! *Limited quantity of 15k\u003c\/p\u003e","brand":"Universal","offers":[{"title":"Default Title","offer_id":43208969519361,"sku":"050087321604","price":24.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/7466\/6497\/products\/ef675d818957ea16a4009f82843b0c12.jpg?v=1660861655"},{"product_id":"sonny-clark-cool-struttin-1","title":"Sonny Clark - \"Cool Struttin\"","description":"\u003cp\u003eLimited 180gm vinyl LP pressing. Sonny Clark was the quintessential hard bop pianist. Possessed of a lyrical flow and inventive melodic ideas, he had a deeply rooted feeling for the blues. It was in 1958 that Clark arrived at his masterwork, Cool Struttin', recorded with a quintet featuring Art Farmer, Jackie McLean, Paul Chambers, and 'Philly' Joe Jones. 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The depth of their musical camaraderie lifts this session up throughout, from the breathtaking performance of \"Autumn Leaves\" to the thrilling title track. Hank Jones\/Sam Jones\/Art Blakey round out the quintet. 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