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Mastered from the original analog tapes, pressed on MoFi SuperVinyl, and strictly limited and numbered, Mobile Fidelity's UltraDisc One-Step 180g 45RPM 2LP set of the triple-platinum effort ensures demand for the 1980 record has never been higher.\u003c\/p\u003e","brand":"Music Direct","offers":[{"title":"Default Title","offer_id":43208733851905,"sku":"821797203425","price":93.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/7466\/6497\/files\/VanHalen-3425.png?v=1742147586"},{"product_id":"eagles-on-the-border-mofi-one-step","title":"Eagles - \"On The Border\" MoFi One-Step","description":"\u003cp\u003eMastered from the original analog master tapes, pressed at RTI on Mofi Supervinyl, and limited to 10,000 numbered copies\n\u003cbr\u003e \n\u003cbr\u003e With its name indicative of the music's boundary-testing diversity and Southwestern inspiration, On the Border finds the Eagles leaving everything on the table and embracing a harder edge that takes the band out of more relaxed territory and establishes it as a group that knows how ‚Äì and wants ‚Äì to rock. Glenn Frey, Don Henley, new member Don Felder, and company immediately announce their intent on the defiant album-opening hit ''Already Gone'' and never look back, crafting a gem of a record that from start to finish is arguably their most consistent and balanced effort.\n\u003cbr\u003e \n\u003cbr\u003e Limited to 10,000 numbered copies, pressed on dead-quiet MoFi SuperVinyl at RTI, and mastered from the original analog master tapes, Mobile Fidelity's ultra-hi-fi UltraDisc One-Step 180g 45RPM 2LP collector's edition pays tribute to the record's significance and enhances the experience for generations to come. Playing with reference sonics that elevate an effort revered by audiophiles, it provides a lively, dynamic, transparent, and intimate view of a release whose contemporary importance continues to grow. The opportunity to zero in on the particulars of the Eagles' golden harmonies, distinct vocal timbres, and cohesive interplay has never been better.\n\u003cbr\u003e \n\u003cbr\u003e Visually, the premium packaging and gorgeous presentation of the UD1S On the Border pressing befit its select status. Housed in a deluxe box, it features special foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendor of the recording. No expense has been spared. From every angle, this UD1S reissue exists as a curatorial artifact meant to be preserved, touched, and examined. It is made for discerning listeners that prize sound quality and production, and who desire to fully immerse themselves in the art ‚Äì and everything involved with the album, from the iconic Navajo cover painting to the meticulous finishes.\n\u003cbr\u003e \n\u003cbr\u003e And with On the Border, there's plenty to take in and soak up. Declared by famed critic Robert Christgau as ''[the Eagles'] best album,'' the 1974 set claims a rich backstory. Initially recorded amid tumultuous sessions with producer Glyn Johns in London shortly after the release of the group's sophomore Desperado set, On the Border took a new turn after the band elected to scrap most of the prior work, return to its native California, and team with producer Bill Szymczyk to give the material less of a smooth, polished sheen and more toughness. Szymczyk also afforded the Eagles more input and freedom in the arrangements, and suggested adding another guitarist to play on ''Good Day in Hell.'' Felder got the call, and so won over the Eagles with his skills, he quickly became the fifth member of the band.\n\u003cbr\u003e \n\u003cbr\u003e While the late-arriving Felder only plays on one other album cut, ''Already Gone,'' his mates more than prove their muster on the remainder of a double-platinum affair that established the Eagles as a force whose range transcended the calmer country-leaning style it perfected on their first two LPs. Primarily written by Jackson Browne and shelved during the Desperado sessions due to its higher-energy nature, the throttle-twisting ''James Dean'' ricochets with barbed riffs and rebellious swagger. Listen without limits to how Szymczyk's raw production stamps the song with a leather-and-jeans cool befitting its protagonist. Similarly rugged, the slide-guitar-fueled ''Good Day in Hell'' boasts its own mean streak. And the funk-laced, boot-stomping title track cautions ''don't you tell me 'bout your law and order.'' Throughout On the Border, the Eagles are in no mood to mess around.\n\u003cbr\u003e \n\u003cbr\u003e Not that the band skirts sentimental territory. On one of the era's finest covers, the Eagles nail the bittersweet feelings and bring high-definition detail to the vivid scenery of Tom Waits' ''Ol' '55,'' a song the group makes its own. The rustic ballad ''My Man'' serves as a tribute to the recently deceased Gram Parsons, with singer-guitarist Bernie Leadon taking the lead on the microphone as he pours his heart out to his former Flying Burrito Brothers mate. And when it comes to romance, is it possible to top ''Best of My Love''? Graced with Henley's honey-dipped vocals, refined wordless group harmonies, brushed drums, and the gentle strum of acoustic guitars, the Johns-produced cut soared to Number One and set the stage for what would soon be the Eagles' reality: global dominance.\u003c\/p\u003e","brand":"Music Direct","offers":[{"title":"Default Title","offer_id":43208737521921,"sku":"821797202626","price":80.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/7466\/6497\/files\/Eagles-2626.png?v=1727902981"},{"product_id":"crosby-stills-amp-nash-crosby-stills-amp-nash-mofi-one-step","title":"Crosby, Stills, \u0026 Nash - \"Crosby, Stills, \u0026 Nash\" MoFi One-Step","description":"\u003cp\u003eUltimate-sounding version of the harmony-rich landmark: deluxe audiophile pressing limited and numbered copies \n\u003cbr\u003e \n\u003cbr\u003eThe enduring charm, contemporary relevance, and harmonic convergence of Crosby, Stills \u0026amp; Nash's fabled self-titled debut owe not only to impeccably played songs and resonant lyrics, but to career-defining performances by music's first genuine supergroup. Crosby, Stills \u0026amp; Nash lingers as an example of the whole being greater than the sum of its parts. Factor in phenomenal studio production and acoustic-based architecture that served as guideposts for myriad albums that followed, and popular music would never be the same.\n\u003cbr\u003e \n\u003cbr\u003eLimited and numbered, pressed on MoFi SuperVinyl at RTI, and mastered from the original master tapes, Mobile Fidelity's UltraDisc One-Step 180g 45RPM 2LP collector's edition enhances the incalculably influential work for the ages to come. Surpassing the sonics of any prior version, it peels away any limitations to provide a transparent, ultra-nuanced presentation of a record that birthed the Laurel Canyon movement and established a precedent for close harmony singing that has never been eclipsed. The organic presentation of the textures; expanse and depth of the soundstages; fullness of tones; natural extension of the acoustic guitar strings; realistic rise and decay of individual notes; seamless blending of the vocals ‚Äì all those important sonic facets (and more) reach demonstration-grade levels.\n\u003cbr\u003e \n\u003cbr\u003e The packaging features the same attention to detail. Housed in a deluxe box, the Crosby, Stills \u0026amp; Nash UD1S pressing features special foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendor of the recording and the reissue's premium quality. Aurally and visually, MoFi's UD1S copy exists as a curatorial artifact meant to be preserved, touched, and examined. It is made for discerning listeners that prize sound quality and production, and who desire to fully immerse themselves in the art ‚Äì and everything involved with the album, from the images to the finishes.\n\u003cbr\u003e \n\u003cbr\u003e The backstory of how Crosby, Stills \u0026amp; Nash came to be nearly matches the import of its content. Already a renowned multi-instrumental virtuoso, Stephen Stills sought a fresh beginning after Buffalo Springfield splintered. Similarly, vocal powerhouse David Crosby arrived after leaving the Byrds and gaining a reputation for being difficult. Graham Nash drifted over after a frustrating stint in the Hollies. He met his new mates at a party. When the three sang together informally for the first time, their fate was sealed. To further tie their fortunes together, the singers used each of their surnames to identify the group to ensure the collective could not exist or continue on without all three members.\n\u003cbr\u003e \n\u003cbr\u003e From the opening of the lead track, the multi-part ''Suite: Judy Blue Eyes,'' written for Judy Collins, it's apparent the trio's dynamic cannot be replicated or substituted. Originally released in May 1969 on Atlantic, the eponymous debut cracked the Billboard Top 10 and spent almost two years on the charts. Such longevity can be credited to the distinctive traits each member lends to a record Rolling Stone cites as the 252nd Greatest Album of All Time. Stills trades in folk, country, and rock accents while handing a majority of the instrumental duties (organ, bass, and lead guitar included). Crosby paints with mood and atmosphere, as well as direct political commentary. 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The ultra-magnified iteration of Lala Lala is fully encapsulated in the monumental \"DIVER.\" Inspired by a character from a Jennifer Egan novel, it's a pop song of Kate Bush-esque proportions replete with layered synths and booming, wide open drumming by fellow Chicago musician Nnamdi Ogbonnaya, and West pushing her vocals to the ragged edge. 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Over the course of four hot days in July, Shires and her collaborators, laid down the album’s nine original songs and two covers (including Frank Loesser’s “What Are You Doing New Year’s Eve?” and a darkly charged reimagining of “Silent Night”). 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Now, a year later, Evidence launches the campaign for his upcoming album, Unlearning Vol. 1, picking up where the single of the same name left off, and going beyond.\u003c\/p\u003e\n\n\u003cp\u003eThroughout his career, Evidence has always been adept at both staying true to his roots and evolving as he grows and learns from life experiences, including recognizing when the time comes to unlearn. During the campaign for his last album, Weather or Not (2018), he expressed a desire to close the chapter on the weather-related theme that had been a staple of his solo career to that point. Unlearning Vol. 1 not only sees that vision come to life, but shines brilliantly in the process. Unlearning Vol. 1 pairs Evidence's own production with works from The Alchemist, Nottz, Sebb Bash, Animoss, Mr. Green, V Don, Daringer and EARDRUM (QThree). This highlights perhaps an undervalued skill of Ev's-his ability to collaborate with a multitude of producers on a project, while still creating an album with a cohesion and consistency rarely found in such extensive collaboration. While the album's musical soundscape sets the scene, it's Ev's gift for relatable yet inventively clever writing that really paints the picture, continually pulling the listener in. That said, a small but powerful cast of guest appearances also decorate the landscape, courtesy of stellar performances from Boldy James, Conway The Machine, Fly Anakin, Navy Blue, and Murkage Dave. Unlearning Vol. 1 embodies the sound and feeling of pure artistic expression, capturing a moment in time where marketability, album sales \u0026amp; streaming potential, and the desire to please anyone other than the artist themselves, are all just an afterthought. As one could expect, such freedoms allowed Evidence to tap into something special that sounds engaging and unique, and also remains true to his foundation. In essence, Unlearning Vol. 1 finds Evidence at yet another creative peak, creating a listening experience poised to catch the attention of new listeners while strengthening his core fanbase.\u003c\/p\u003e","brand":"Secretly","offers":[{"title":"Default Title","offer_id":43208960246017,"sku":"826257032911","price":33.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/7466\/6497\/products\/909cb7b2683a56889282f81bd3e5155d.jpg?v=1660861244"}],"url":"https:\/\/comebackvinyl.com\/collections\/amzn-feed-clearance.oembed","provider":"ComebackVinyl.com","version":"1.0","type":"link"}