{"title":"Homepage","description":"","products":[{"product_id":"van-halen-van-halen","title":"Van Halen - \"Van Halen\"","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWith their 1978 eponymous debut, Van Halen simultaneously rewrote the rules of rock guitar and hard rock in general. Guitarist Eddie Van Halen redefined what the electric guitar could do, developing a blindingly fast technique with a variety of self-taught two-handed tapping, hammer-on's, pull-offs, and effects that mimicked the sounds of machines and animals. It was wildly inventive and over the top, equaled only by vocalist David Lee Roth, who brought the role of a metal singer to near-performance art standards. Mastering engineer Chris Bellman, who remastered the original albums at Bernie Grundman Mastering Studios, was enlisted for this new version. 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Bowie laid to rest the Ziggy Stardust persona in July 1973 at his infamous last show with the Spiders From Mars at London‚Äôs Hammersmith Odeon, but Ziggy‚Äôs impact reverberates to this day.\u003c\/p\u003e","brand":"Warner","offers":[{"title":"Default Title","offer_id":43208459747585,"sku":"190296314353","price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/7466\/6497\/products\/b9cef3c414b0626ca8ba0d6d5fb4e0ca.jpg?v=1660843902"},{"product_id":"counting-crows-august-and-everything-after","title":"Counting Crows - \"August And Everything After\"","description":"","brand":"Universal","offers":[{"title":"Default Title","offer_id":43208459944193,"sku":"602557097658","price":37.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/7466\/6497\/products\/3deb16d9111c38b8d68a9ba21a5fed0f.jpg?v=1660843907"},{"product_id":"chris-stapleton-starting-over","title":"Chris Stapleton - \"Starting Over\"","description":"\u003cp\u003e2020 release from the acclaimed country music singer\/songwriter. 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Continuing to bloom from her 2019 breakthrough and Secretly Canadian debut Atlanta Millionaires Club, Webster's sound draws as much from the lap-steel singer-songwriter pop of the 1970s and teardrop country tunes as it does from the audacious personalities of her city's rap and R\u0026amp;B community. The album began for Webster with the stirring ballad \"In a Good Way,\" as in \"You make me want to cry in a good way\"-an instantclassic Faye Webster one-liner. It's beguilingly simple, the kind of melody and arrangement that seem to have existed forever. A sense of relief charges the neo-psychedelic pop of \"Cheers,\" where Webster experiments with an overdriven guitar tone. She also collaborated, on \"Overslept,\" with the Japanese artist Mei Ehara, who she calls the biggest influence on her new music. Webster's music is full of personality. Many of her songs contain bits of girl-group-esque talk-singing, which color her atypical storysongs. 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