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Although the influences-R.E.M., the Pixies, and U2-are still there, this is unmistakenly Radiohead maturing and defining their own sound.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Redeye","offers":[{"title":"Default Title","offer_id":43208452735233,"sku":"634904078010","price":34.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/7466\/6497\/products\/5de56810a38cb5aa2e3ccbeab1e5e3fd.jpg?v=1660843835"},{"product_id":"radiohead-a-moon-shaped-pool","title":"Radiohead - \"A Moon Shaped Pool\"","description":"\u003cp\u003e2016 release. A Moon Shaped Pool is the ninth studio album from the British alt-rock band. The album features the key tracks \"Burn The Witch,\" \"Daydreaming\" and \"True Love Waits.\" Radiohead worked on A Moon Shaped Pool intermittently after finishing the 2012 tour for their previous album, The King of Limbs (2011). The album was recorded in southern France with long-time producer Nigel Godrich. 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Tracks feature strings by the London Contemporary Orchestra and a full brass section of contempoarary UK jazz players including Byron Wallen, Theon and Nathaniel Cross, Chelsea Carmichael, Robert Stillman and Jason Yarde.\u003c\/p\u003e\n\u003cp\u003eThe band, comprising Radiohead’s Thom Yorke and Jonny Greenwood and Sons of Kemet’s Tom Skinner, have previously released the singles You Will Never Work in Television Again, The Smoke, and Skrting On The Surface to critical acclaim.\u003c\/p\u003e","brand":"Redeye","offers":[{"title":"Default Title","offer_id":46105672024321,"sku":"191404119617","price":42.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/7466\/6497\/products\/1498d2a86418db3b8dd04d236b46ef20.jpg?v=1660769312"},{"product_id":"car-seat-headrest-twin-fantasy","title":"Car Seat Headrest - \"Twin Fantasy\"","description":"\u003cp\u003eRecorded at 19 years old on a cheap laptop, you'll hear what Brian Eno fondly calls \"the sound of failure\" - thrilling, extraordinary, and singularly compelling failure. Will Toledo's first love, rendered in the vivid teenage viscera of stolen gin, bruised shins, and weird sex, was an event documented like a snapshot in time. Twin Fantasy is deeply, truly adored. The album has been downloaded over 33k times on Bandcamp, where the comments left by fans feel like testimonials. Legions of reverent listeners carve rituals out of it: sobbing over \"Famous Prophets,\" making out to \"Cute Thing,\" dancing their asses off as \"Bodys\" climbs higher, higher. The distortion hardly matters. You can hear him just fine. You can hear everything. And you can feel everything: his hope, his despair, his wild overjoy.\u003c\/p\u003e","brand":"Redeye","offers":[{"title":"Default Title","offer_id":43208470102273,"sku":"744861109211","price":32.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/7466\/6497\/products\/4b2c19db4f83e405661a2df61be9ee16.jpg?v=1660844025"},{"product_id":"diiv-deceiver-6975","title":"DIIV - \"Deceiver\"","description":"\u003cp\u003eOccupying the corners between fuzzed-out shoegaze bliss, troubadour poetry, and metallic catharsis, DIIV - Zachary Cole Smith [lead vocals, guitar], Colin Caulfield [vocals, bass], Andrew Bailey [guitar], and Ben Newman [drums] - personally inhabit the recesses of their third full-length album, Deceiver. A whirlwind brought DIIV here. On the heels of 2012's Oshin, the group delivered the critical and fan favorite Is the Is Are in 2016. Praise came from The Guardian, Spin, Rolling Stone and more. Pitchfork's audience voted Is the Is Are one of the Top 50 Albums of 2016, as the outlet dubbed it \"gorgeous.\" Simultaneously, frontman Zachary Cole Smith faced down seemingly dormant demons, and the momentum stalled. Two years after embarking on a program of recovery, Smith has emerged with a clear head and renewed focus. For the first time, DIIV lived with songs on the road. During a 2018 tour with Deafheaven, they performed eight new compositions as the bulk of the set. The tunes progressed as the players did. By the time DIIV entered 64 Sound to record with producer Sonny Diperri, the band felt a certain confidence. It's evident on first single \"Skin Game,\" which gallops forth on a clean guitar riff before unfolding into a hypnotic hook offset by an off-kilter rhythm and hummable solo. \"Being a recovering addict myself,\" he says, \"there are a lot of questions like, 'Who are we? What is this disease?' 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Continuing to bloom from her 2019 breakthrough and Secretly Canadian debut Atlanta Millionaires Club, Webster's sound draws as much from the lap-steel singer-songwriter pop of the 1970s and teardrop country tunes as it does from the audacious personalities of her city's rap and R\u0026amp;B community. The album began for Webster with the stirring ballad \"In a Good Way,\" as in \"You make me want to cry in a good way\"-an instantclassic Faye Webster one-liner. It's beguilingly simple, the kind of melody and arrangement that seem to have existed forever. A sense of relief charges the neo-psychedelic pop of \"Cheers,\" where Webster experiments with an overdriven guitar tone. She also collaborated, on \"Overslept,\" with the Japanese artist Mei Ehara, who she calls the biggest influence on her new music. Webster's music is full of personality. Many of her songs contain bits of girl-group-esque talk-singing, which color her atypical storysongs. 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Teaming up with engineer Shawn Everett (Alabama Shakes, Weezer), Granduciel challenged the notion of what it means to create a fully realized piece of music in today's modern landscape. Calling on his bandmates - bassist Dave Hartley, keyboarding Robbie Bennett, drummer Charlie Hall and multi-instrumentalists Anthony LaMarca and Jon Natchez - continuously throughout the process, the result is a \"band record\" in the noblest sense, featuring collaboration, coordination, and confidence at every turn. 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Sonically the album is a return to their earlier work and the kind of raw ethos that lies at the heart of Band of Horses.\u003c\/p\u003e\n\n\u003cp\u003eThis time around Band founder Ben Bridwell took a bigger role in production than he ever has previously, producing or co-producing every song on the album. He brought in old collaborators including Grandaddy‚Äôs Jason Lytle, Dave Fridmann, and Dave Sardy, but it‚Äôs not just old friends who were able to help Bridwell achieve the sound he envisioned. For the first time he worked with engineer Wolfgang ‚ÄúWolfie‚Äù Zimmerman. The two had an instant connection which can be felt throughout the record.\u003c\/p\u003e\n\n\u003cp\u003eEmotionally intense, both on a personal and elemental level, the songs for the most part were written before the world shut down, when all of us were faced with our own mortality and began to take stock of our lives. 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Christina Billette and Melissa Berkoff initially began playing together in a Washington, D.C. band called HAZMAT in 1989, but then joined up with Nikki Chapman and Mary Timony to form Autoclave. The group lasted for one year and played only a handful of shows. In 1991, the quartet released a three-song 7-inch on the \"DisKord\" label-a joint effort between Dischord and Olympia, Washington's K Records. The band's second release was a posthumous 10-inch that came out via Billotte's label, Mira Records. Following Autoclave's dissolution, Billotte would go on to perform in Slant 6, Quix-O-Tic, and The Casual Dots. 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