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Actual appearance may vary slightly from mockup
GENRE(S): Electronic, Jazz
STYLE(S): Broken Beat, Contemporary Jazz, Jazz-Funk
Condition: New & Sealed
Out of stock
Customer Reviews
Packing is top notch! I'm 3 deliveries in and I've never seen a retailer pack their shipments so securely.
I've placed multiple online orders with Comeback and it's been an easy experience every time. Selection has been excellent, communication and shipment have been prompt, and items are well packaged.
All I can say is this is a family run business that truly cares for each and every customer.
These guys are the best! Everything is packed professionally, their prices are fair and their customer service is top notch.
Their customer service is incredible.
Super fast shipping and very sturdy packing.
It’s great to support a local record store when they are in it for the customers. You got a customer for life.
Just a damn good vinyl shop.
Great online selection, fair prices, fast shipping, and my order was packed securely/safely.
Items are shipped quickly and packaged nicely to avoid damage from those not so nice handlers.
Your order will always be packed in a top-of-line box specifically designed to ship vinyl records—made from high quality cardboard built to prevent seam splits & corner bends.
Everything inside your shipment will be bubble wrapped for added bump & drop protection, with as much extra filler material needed for a snug, safe ride to you.
As an additional free service, your records can be opened to have their discs shipped behind the jacket to prevent seam splits. Just tick the box below the add to bag button.
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Tracklist & audio may vary from the vinyl version
Description
Whether re-defining experimental fusion sounds with the hugely acclaimed Yussef Kamaal, or his catalog of 12"s for imprints such as MCDE, Eglo, and Rhythm Section as Henry Wu, South London's Kamaal Williams has been a key figure in his thriving international scene for the past few years. The Return is a natural evolution from the Yussef Kamaal project, mining the influence of visionary jazz but blended with all kinds of texture, sounds and signals from the over-saturated London streets. At times the keyboard work evokes the classic '70s fusion work of Lonnie Liston Smith or Roy Ayers, but underpinned by rhythms more reminiscent of blunted hip-hop and arrangements subliminally laced with the cut-ups of pirate radio.
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