Available Late October
Out of stock
Email me when this is in stock
This is an upcoming release that we’ll be stocking. You can sign up for an in-stock alert to receive an email as soon as it lands.
* Due to recent industry-wide supply chain issues, we’ve stopped accepting pre-orders for upcoming releases. If you’d like to receive an in-stock alert for an upcoming release that’s not already on the site, please email email@example.com
Only 3000 Copies Pressed! Part Of The Ten Bands One Cause Campaign To Support Cancer Patients & Their Caretakers!
Ten Bands re-issue their albums on limited edition pink vinyl, all for one cause. This is the 8th year for the initiative, and a portion of the proceeds from each shipment will go towards the Red Door Community (formerly Gilda’s Club NYC). The nonprofit’s mission is to create a welcoming community of FREE cancer support to bring knowledge, hope, and empowerment to anyone and everyone impacted by cancer and their families. They are committed to expanding their program and broadening their reach to meet the growing needs of individuals living with cancer, in more places, and in more ways than ever before.
Recorded over three nights in February 1970 when the Allman Brothers Band opened for the Grateful Dead for the first time, these shows were recorded by Owsley Stanley, the Dead’s pioneering soundman, whose “Sonic Journal” recordings are sought after for their purity and uncanny ability to place the listener in the venue. This is essential listening for Allman Brothers Band fans, showcasing an early incarnation of the band with Duane Allman in full form and featuring the earliest known live concert recording of “In Memory of Elizabeth Reed”, which had just been penned by Dickey Betts shortly before these shows. The tapes were recorded just one year before the band’s landmark At Fillmore East album from the same venue.
Long out-of-print, this set was freshly restored and mastered from original tapes in Owsley Stanley’s archives, and includes all new album art and liner notes, including a series of rare band photos from the Fillmore East in February 1970, original cover artwork (“Electric Mushroom”), and new notes from the Allman Brothers Band and the Owsley Stanley Foundation. This is the second release in the award-winning “Bear’s Sonic Journals” series and the first joint presentation by the Allman Brothers Band and the Owsley Stanley Foundation.