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Actual appearance may vary slightly from mockup
GENRE(S): Jazz
STYLE(S): Soul-Jazz, Jazz-Funk
Edition: Audiophile
Condition: New & Sealed
In Stock - Ships Today
Customer Reviews
Packing is top notch! I'm 3 deliveries in and I've never seen a retailer pack their shipments so securely.
I've placed multiple online orders with Comeback and it's been an easy experience every time. Selection has been excellent, communication and shipment have been prompt, and items are well packaged.
All I can say is this is a family run business that truly cares for each and every customer.
These guys are the best! Everything is packed professionally, their prices are fair and their customer service is top notch.
Their customer service is incredible.
Super fast shipping and very sturdy packing.
It’s great to support a local record store when they are in it for the customers. You got a customer for life.
Just a damn good vinyl shop.
Great online selection, fair prices, fast shipping, and my order was packed securely/safely.
Items are shipped quickly and packaged nicely to avoid damage from those not so nice handlers.
Your order will always be packed in a top-of-line box specifically designed to ship vinyl records—made from high quality cardboard built to prevent seam splits & corner bends.
Everything inside your shipment will be bubble wrapped for added bump & drop protection, with as much extra filler material needed for a snug, safe ride to you.
As an additional free service, your records can be opened to have their discs shipped behind the jacket to prevent seam splits. Just tick the box below the add to bag button.
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Tracklist & audio may vary from the vinyl version
Description
Alto saxophonist Lou Donaldson hadn't recorded for Blue Note since 1963 when he returned to the label in 1967 and began a new chapter in his lengthy career. Sweet Papa Lou had helped lay Blue Note's soul jazz foundation alongside Hammond B3 organists including Jimmy Smith, Baby Face Willette, and Big John Patton going back to the late-1950s thru the early-60s on standout dates including his own Here 'Tis, Good Gracious!, and The Natural Soul. Upon his return Donaldson pushed ahead with a new hard-grooving sound on 1967's Alligator Bogaloowhich was the first of his many collaborations with organ virtuoso Lonnie Smith and also featured the young guitar star George Benson and the impossibly funky drummer Leo Morris (aka Idris Muhammad). On Mr. Shing-A-Ling he added the bluesy trumpeter Blue Mitchell to the mix, and for 1968's soul jazz manifesto Midnight Creeper he got the whole gang back together for a greasy 6-song set including the jaunty title track, "Love Power," "Bag of Jewels," and "Dapper Dan."
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