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Actual appearance may vary slightly from mockup
GENRE(S): Jazz, Electronic
STYLE(S): Illbient, Acid Jazz, Trip Hop
Condition: New & Sealed
Out of stock
Customer Reviews
Packing is top notch! I'm 3 deliveries in and I've never seen a retailer pack their shipments so securely.
I've placed multiple online orders with Comeback and it's been an easy experience every time. Selection has been excellent, communication and shipment have been prompt, and items are well packaged.
All I can say is this is a family run business that truly cares for each and every customer.
These guys are the best! Everything is packed professionally, their prices are fair and their customer service is top notch.
Their customer service is incredible.
Super fast shipping and very sturdy packing.
It’s great to support a local record store when they are in it for the customers. You got a customer for life.
Just a damn good vinyl shop.
Great online selection, fair prices, fast shipping, and my order was packed securely/safely.
Items are shipped quickly and packaged nicely to avoid damage from those not so nice handlers.
Your order will always be packed in a top-of-line box specifically designed to ship vinyl records—made from high quality cardboard built to prevent seam splits & corner bends.
Everything inside your shipment will be bubble wrapped for added bump & drop protection, with as much extra filler material needed for a snug, safe ride to you.
As an additional free service, your records can be opened to have their discs shipped behind the jacket to prevent seam splits. Just tick the box below the add to bag button.
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Tracklist & audio may vary from the vinyl version
Description
On their Blue Note Records debut, MMW move away from the diffuse, free form jams that characterized their 1996 release, Shack-Man, but the organ trio's trademark free-jazz-daring meets groove-happy-funk approach isn't diminished by move. The return to the more tightly focused approach that characterized Friday Afternoon in the Universe, may be motivated by commercial concerns (how many more Phishheads can they possibly convert?) but it's also a musical triumph; Combustication is the trio's finest of their six recordings. DJ Logic's warbling scratches enliven "Start-Stop" and "Church of Logic." Poet Steve Cannon recites some appropriately fried verses on "What Ever Happened to Gus," and the band takes Sly Stone's "Everyday People" away from Madison Avenue and into the Southern Baptist church.
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