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FREE SHIPPING $89+ | FREE 100 DAY RETURNS
Actual appearance may vary slightly from mockup
GENRE(S): Electronic
Condition: New & Sealed
Available Late August
Customer Reviews
Packing is top notch! I'm 3 deliveries in and I've never seen a retailer pack their shipments so securely.
I've placed multiple online orders with Comeback and it's been an easy experience every time. Selection has been excellent, communication and shipment have been prompt, and items are well packaged.
All I can say is this is a family run business that truly cares for each and every customer.
These guys are the best! Everything is packed professionally, their prices are fair and their customer service is top notch.
Their customer service is incredible.
Super fast shipping and very sturdy packing.
It’s great to support a local record store when they are in it for the customers. You got a customer for life.
Just a damn good vinyl shop.
Great online selection, fair prices, fast shipping, and my order was packed securely/safely.
Items are shipped quickly and packaged nicely to avoid damage from those not so nice handlers.
Your order will always be packed in a top-of-line box specifically designed to ship vinyl records—made from high quality cardboard built to prevent seam splits & corner bends.
Everything inside your shipment will be bubble wrapped for added bump & drop protection, with as much extra filler material needed for a snug, safe ride to you.
As an additional free service, your records can be opened to have their discs shipped behind the jacket to prevent seam splits. Just tick the box below the add to bag button.
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Description
Marche 22 was recorded over a week at the Museo Del Synth Marchigiano in Macerata, Italy. The museum is filled with rare and obscure synths (especially CRB, GEM & Elka) as well as salvaged materials from a nearby shuttered Farfisa organ factory, including MARS, an unfinished realtime audio processing application developed by IRIS - similar to the now well known MAX/MSP. Kyle Dixon and Michael Stein play a suite of pieces that encompasses the last sixty years of synthesizer music-there are nods to Cluster, Tangerine Dream, Jean Michel Jarre, and Morton Subotnick. Dixon and Stein are like jazz masters playing the American songbook with their own riffs and quotations. What shines through in these varied works that are sometimes rhythmic, sometimes melancholic, and sometimes both, is a soul, a spirit, an emotion vibrating through the tones like the charge of coming rain or the thrum of a distant train on the tracks.
